Tre donne intorno a un uomo e non una vita che riesca a trovare il suo punto d'equilibrio, non una in cui desiderio e realtà si accordino. Forse in nessun film di questa più recente fase produttiva di Woody Allen si parla d'amore come in Vicky Cristina Barcelona . Love as a project, such as gymkhana love between what you choose to exclude, as a dynamic relational love as much as inexplicable investigated. There is such a superfluous in the erotic drama - and symbolic - masterpiece Match Point, but even in the most explicit and refined meet the man of your dreams . Love you, Vicky Cristina Barcelona in , but it does as an echo to discuss, understand, frantic dive into what does this force, each from what it is, from what he wants, how it presents itself.
Around Juan Antonio (Javier Bardem ), talented artist and sensual rotate continuously senses and emotions of Vicky (Rebecca Hall ), Cristina (Scarlett Johansson the indispensable of many Allen films), Maria Elena (the ever-beautiful Penelope Cruz ), each with a This led to stories and wasted energy to drive, hand in hand, the audience in defining this Woody Allen film certainly senile , despite the attractiveness of the actors and their florida erotic energy.
Men and women in the throes of adventures in the future, to sophisticated sentimental nonsense, uncertain about their position, identity of people in crisis, in an abyss and a balance between life reassuring, but junk. The author is definitely there: Woody Allen has replaced his person a voice of extraordinary storytelling, able to accelerate or retard the pace with a touch of biting sarcasm. But the characters, far from being completed or warned by the irony of this author, seems to play to sink deeper into their emotional incompleteness: they realize that they are conventional, but all claims solution to overcome them pulling them into a more deep existential banality.
It seems as if age had cleared, as if to discuss this as adults, and combinations of feelings (to whose memory the delicate laboratory Sesso, bugie e videotape ), corrispondesse la rinuncia a crescere ed essere che è propria di chi non vede con certezza un domani davanti a sé. Il problema, è chiaro, non è qui giudicare persone o situazioni sullo sfondo di una fotografia stupenda e di una regia sempre magistrale. Non mi preoccupa il modello che ne emerge, sia perché la realtà sopravanza di molto ogni immaginazione, sia perché intuisco e, in parte, condivido le domande che stanno alla base di certi comportamenti. Lascio l'etica alle sfere che le competono e a chi voglia normalizzarla, però ho un appunto estetico importante: non mi aspetto soluzioni , ma certo una soluzione . The final Vicky Cristina Barcelona, \u200b\u200bas well as meet the man of your dreams , it seems a bit 'hurry, hurry, offers no real answer. I regret to say, it is also fairly conventional. Perhaps the obviousness of this outcome makes it even more poignant irony that accompanies the characters and their stories, point out the perfect touch with the author's pre-packaged and now split their crisis with the bulk diffusion of industrial production. But the question about what happens after or really inside these characters, in my opinion, weakens their focus, their interest, reducing the film to a mere game of combinations of opportunities and superb shots.
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