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Ancora sulla caverna e sulla realtà. Il tredicesimo piano di Joseph Rusnak

Imagine a plane passing between this dimension and another one: no matter whether true or bijoutteria more, so do not go out. But he added, someone went through, as when Truman in the Truman Show , slams on the paper sky (no cracks) of the immense depth of installation that is his life. And has anyone seen this file away the details from the network matrix to even recognize the skeleton of what he believed true.

The Thirteenth Floor was released that same year (1999) of the first episode of Matrix and has had some resonance wackowskiana epic. Yet, starting from the same assumption, ie starting from doubt about the life we \u200b\u200blead and the need to understand something, it proposes a solution very different.

Meanwhile the world, this film by Joseph Rusnak is not bipolar is not a screen interface and is not to make life more or less interesting. Life is a continuous slip planes, an exchange of souls who take possession bodies of "parallel" who live in other dimensions. There are circuits and electric shock: it is ultimately science fiction, not self-induced illusion . But the essence of the soul in his fantastical journey, fluid, and suddenly, like an angelic possession and as a long, painful exorcism by their certainties.

The situation is complicated by the fact that in a possible world invents a machine where you can transmigrate, so to speak, from a screenplay by another. There is no way to recover the integrity of a single "puff" of real, but the doubt, as an acid, and all the drills in each of these someone becomes aware of finitezza e dell'irrealtà del proprio esistere . Ciascuno di coloro che vengono a sapere del mondo-ologramma, lungi dal tornare a riferire dell'inganno, comincia una ricerca solipsistica, allontanandosi dallo sfondo consueto, ignorando i rassicuranti segnali che danno un senso a ciò che si va costruendo sotto i suoi occhi.

Due ore scarse non bastano ad approfondire una filosofia di vita paragonabile a quella della trilogia di Matrix ; né, mi pare, c'è ne  Il tredicesimo piano l'intenzione politica e religiosa riconoscibile nella tessitura demoniaca dell'ingegnere creato dai fratelli Wackowski. Ma il film di Rusnak ha il pregio di a light background from excessive claims, with enviable results for the viewer to be able to dig better in the emotional dynamics of the characters, who do not want prophets and revelations do not want to, but want to remain locked in their world.

The Thirteenth Floor, devoid of unnecessary frills misteriosofici interest of doubt in the last episode of Matrix, among other things is also a film very well written and well acted, especially by the players. Craig Bierko (which was Jeffrey Coho in the third set of Boston Legal ) is able to draw three very different characters, giving each a soul and Armin Mueller-Stahl can cope with the duplicity and the nodes of a soul in the same existence. Even the most talented beautiful Gretchen Mol and Vincent D'Onofrio chameleon, traits and nuances in the score between the competing worlds. Perhaps

The Thirteenth Floor not open a real door on real strong and does not pose existential questions, as still happens to me with Matrix, but I believe it shows in perspective a little 'more and a little' better Who is the man and gives a framework. Sorry if it is little.